Up From Slavery An
Up from Slavery: An Autobiography
Booker T. Washington believed that every man and woman deserved a chance, regardless of their skin color. This classic work of literature relays the story of a man born into slavery who, once freed, pursued education and racial equality. Originally published in 1901, the new edition of Booker T. Washington’s autobiography features a foreword from media personality and advocate for the advancement of African Americans, Mychal Massie.In his story, Washington details his childhood and recounts his often tumultuous transition from slavery to free life. His unwavering efforts eventually lead to the founding and evolution of the Tuskegee Institute in Alabama, a college created to further the education of African Americans. The distinguished author and educator remembers such notable speeches as the Atlanta Compromise in 1895 and recognitions from Samuel C. Armstrong and President McKinley.ABOUT BOOKER T. WASHINGTON Booker T. Washington (1856-1915) was born into slavery and freed after the Civil War in 1865. After completing his education and teaching at Hampton Institute, he headed the Tuskegee Institute in Alabama. Upon giving his famous Atlanta Compromise Speech, Washington became a national figure and received an honorary master’s degree from Harvard University and an honorary doctorate from Dartmouth College. The publication of Up from Slavery garnered Washington an invitation from Pres. Theodore Roosevelt to visit the White House, the first given to an African American. ABOUT MYCHAL MASSIE In addition to appearing on national television programs such as The O’Reilly Factor, Mychal Massie is a syndicated columnist for WorldNetDaily and the former host of Rightalk Radio’s “Straight Talk.” The outspoken media personality is the chairman of the National Leadership Network of Black Conservatives, Project 21. The Conservative Party of New York State recognized him as the Conservative Man of the Year in 2008. Massie lives in Zion Hill, Pennsylvania.
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SHURTECH-College Logo Duck Tape. Now your favorite college teams are available in colorful duck tape! Use it to make a variety of crafts with school spirit. Perfect for your die-hard fan! This package contains 10 yards of 1.88 inch wide printed College Logo Duck Tape. Caution: Not to be used on heating appliances. Made in USA.
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NCAA Alabama Crimson Tide Disposable Click Pens
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Ben Taylor W/ Clarence Bucaro
Ben Taylor w/ Clarence Bucaro
Event on 2012-05-17 20:30:00
About Ben Taylor
As the child of James Taylor and Carly Simon, Ben Taylor was born into a musical world with much promise. His older sister, Sally Taylor, found her niche in the industry early on, but the younger Taylor never sought to follow the footsteps of his famous parents. His childhood might have been surrounded by recording sessions and tours across the world, but it wasn't in Taylor's mind to become a singer. It would be too easy and practically the normal thing to do, so he opted to ignore his brilliant genes and move on.
Taylor was raised in Manhattan and Martha Vineyard and spent time in various private schools before leaving them behind in ninth grade. By then he'd taught himself how to play guitar, but traveling the world and connecting with nature was Taylor's trye passion. Still, he had his hand in a few musical makings. Before he turned 20, Taylor's cover of the Beatles' "I Will" landed on the soundtrack to a domestic comedy featuring Paul Reiser, Bye Bye, Love. He eventually recorded an album for Epic's label, The Work Group, but it folded shortly after Taylor inked his contract.
A trip to the Caribbean gave Taylor the push he'd been wanting for so long. Armed with an acoustic guitar and a mindful of songs, Taylor shaped himself into the natural singer/songwriter his parents knew that he would eventually become. The younger Taylor says he used to try hard not to sound like his famous father, with a rough-edge sound he called "neo-psychedelic-folk-funk." But over time, Taylor realized that he was more comfortable following in his parents' musical footsteps. Now, he says, to be compared to them is an "incredible compliment."
ABOUT CLARENCE BUCARO
Over the span of five albums literate and honey-voiced singer-songwriter Clarence Bucaro has crafted an impressive canon of uplifting Americana, garnering comparisons to Jackson Browne and Van Morrison. The Brooklyn-based singer-songwriter initially built his career on a robust 300-shows-per-year schedule. His warm and rustic aesthetic has a broad appeal and has made him compatible sharing stages with such diverse and established artists as Aaron Neville, The Blind Boys of Alabama, Gomez, Chrissie Hynde and the Pretenders, North Mississippi Allstars, Cowboy Junkies and Fountains of Wayne. His initial apprenticeship with singer-songwriter Anders Osborne—best known for penning Tim McGraw’s 3-million selling single “Watch The Wind Blow”—helped him define and refine his own down-home palette. Clarence’s upcoming fifth album is his most ambitious and diverse album to date. The lushly soulful Walls Of The World, released April 3rd 2012 on 20/20 Records, is a thematic piece using walls as metaphor for political and personal division.
Walls Of The World was produced by Hector Castillo (David Bowie, Björk, Lou Reed, Suzanne Vega, Rufus Wainwright, and Philip Glass) and Chocolate Genius. The album benefits from the complimentary approaches of Castillo’s penchant for organic ambience and Chocolate Genius’s knack for nuanced, moody electronic flourishes. The album was mixed by the highly-esteemed engineer Tchad Blake (The Black Keys, Pearl Jam, Sam Phillips, Al Green, Suzanne Vega, among others) who brought out the bold hues in Clarence’s richly textured album. This dual-perspective production is a theme deeply mirrored in the fabric of the album; it appears in the lyrical theme of the two sides of division and the album was written in two spurts, from two perspectives of division. The first batch of tunes are informed as much by literature such as controversial Turkish writer Orhan Pamuk’s Snow and conflict journalist Asne Seierstad’s Angel of Grozny as they are from Clarence’s travel to Jerusalem, Cuba, Morocco, and Russia. The second batch of songs was written after the birth of Clarence’s first child and, broadly, the tunes examine the theme of walls and division from a tender and personal domestic vantage point.
The literature-informed reportage dates back to 2009 when Clarence travelled to Jerusalem and experienced the contrasts between the old-world majesty of Jerusalem and the squalor of the refugee camps of Ramallah and the West Bank—it was powerful how the physicality of a wall could create such division and opposite worlds for people who lived in such close proximity. In the lyrics of the sweetly melancholy “Walls Of The World” Clarence notes the universality in this holy war when he sings: See the same old fighting/the same old hard lines/we're cutting our throats on the same old divides. The struggles seem so personal and political but, in a grand sense, it’s also a class struggle and he wisely notes this, alluding to the Wall Street protests here at home. The haunting arid ambience of “Child Of War” with the chilling twangy guitars and deep-in-the-mix Chocolate Genius loops explore the horror of children who take on messianic suicide missions and find themselves sacrificing their innocence and carefree childhood to be political pawns in such tangled and tragic wars. Clarence chronicles this horror with bluntly poetic lines like What do you see through those eyes?/What do see through those eyes?/Blood for blood, limb for limb/When There’s No Way Out Vengeance Wins/What Do You See Through Those Eyes? The initial inspiration for “Child Of War” was, again, the Israel and Palestine struggle but the song also has kernels of inspiration from Asne Seierstad’s story of a Chechnyan orphanage, Angel of Grozny. The elegantly electric-folk tune “Two Men Down” is a tribute to conflict photojournalists Chris Hondros and Tim Hetherington who were killed in Libya in April, 2011 while covering the rebel uprising against Gaddafi’s forces. It’s not only an homage to the two men’s bravery but echoes Clarence’s artistic quest to seek the truth in his songs.
“The second batch of tunes brought together what it means to me to have a child in the world when you think of the subject of the song: ‘Child Of War,’” Clarence explains. “These songs were written after having my son and my perspective changed as I saw how having a child fits into a conflicted and divided world. So the two perspectives of the album became a marriage of observing the outside world with how it ties in to my personal own world.” Conflict and division in this clutch of tunes extends from the daily struggles of marriage in “Are We Gonna Make It Through The Night” to “Dangerous Secret,” a tune that details a woman’s struggle with gender-identity issues. “That song is based on a personal letter from a friend telling me about her struggles and fears of acceptance among family and friends with thoughts about transitioning. I took the letter with me on a trip to France and began writing the song there and finished with Freedy Johnston in Brooklyn,” Clarence says. Tracks such as “Same Small Threads” and “It’s Only Love,” written from the joyous and fulfilled feeling of a new parent, round out the album and provide a grounding counterpoint to the weighty issues discussed throughout Walls Of The World.
Born in Cleveland, Ohio Clarence left his hometown for New Orleans to follow
his mentor, the Crescent City music icon Anders Osborne. From New Orleans he moved to LA before settling in Brooklyn. The stories in these journeys and Clarence’s passion for travel are documented from early critically acclaimed albums like his Anders Osborne-produced debut Sweet Corn and his Rounder Records sophomore album Sense Of Light to Clarence’s latest, Walls Of The World. This musical journey has sought to capture the human condition in the folk-storytelling heritage with a panoramic view of humanity. “I’ve always dove into the outside world for inspiration; social observation has always inspired me,” Clarence explains, “possibly encouraged by the punk music I used to love in the 1990s. I was inspired by the social commentary and conviction of a band like Bad Religion. In college I became interested in social movements and learned that music is as potent a weapon as any to speak to struggle and incite passion.” Studying the Civil Rights and Labor Movements led Clarence to the music of Woody Guthrie. He found the message in Guthrie’s music resonated with him the way punk first did in his formative years but the purity of the folk sound appealed to his maturing sensibilities and became an aesthetic touchstone for his own music. The growth in Clarence as a writer on Walls Of The World is not only in how sensitive of an observational writer he’s become—like on “Rose Of Jericho” where from seeing a woman on the subway in full burka he imagines her journey from her homeland to NYC—but also manifests itself in how he can turn the lens on himself and examine his condition with a mature level of objectivity. Walls Of The World is an interpersonal and personal travelogue scored by an ambient and soulful production aesthetic bittersweet enough to evoke the dissonance in the human struggle but warm enough for the music to fill you with hope.
at City Winery
155 Varick Street
New York, United States
Bluegrass on the Plains
Event on 2012-05-25 11:00:00
May 25 – 26, 2012
Please join us for the 1st Annual Bluegrass on the Plains with some of the top talents in bluegrass music. Performances by: RHONDA VINCENT & THE RAGE, BLUE MOON RISING, CUMBERLAND RIVER, LITTLE ROY & LIZZY LONG SHOW, RODNEY DILLARD & THE DILLARD BAND, CARL JACKSON, JERRY SALLEY, LARRY CORDLE, VOLUME FIVE.
Jam Sessions, Workshops
at University Station RV Resort
3076 Alabama State Hwy 14
Auburn, United States
Substitute Teaching
How To Be A Successful Substitute Teacher.
Substitute Teaching
Low Back Solution
Discover The Secrets To Addressing The Source Of Your Low Back Pain, Rather Than Just The Pain Site. Complete With More Than 8 Hours Of Therapeutic Exercise Videos And An Instructional Manual To Help You Apply These Principles For A Lifetime.
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Ben Taylor W/ Clarence Bucaro
Ben Taylor w/ Clarence Bucaro
Event on 2012-05-17 20:30:00
About Ben Taylor
As the child of James Taylor and Carly Simon, Ben Taylor was born into a musical world with much promise. His older sister, Sally Taylor, found her niche in the industry early on, but the younger Taylor never sought to follow the footsteps of his famous parents. His childhood might have been surrounded by recording sessions and tours across the world, but it wasn't in Taylor's mind to become a singer. It would be too easy and practically the normal thing to do, so he opted to ignore his brilliant genes and move on.
Taylor was raised in Manhattan and Martha Vineyard and spent time in various private schools before leaving them behind in ninth grade. By then he'd taught himself how to play guitar, but traveling the world and connecting with nature was Taylor's trye passion. Still, he had his hand in a few musical makings. Before he turned 20, Taylor's cover of the Beatles' "I Will" landed on the soundtrack to a domestic comedy featuring Paul Reiser, Bye Bye, Love. He eventually recorded an album for Epic's label, The Work Group, but it folded shortly after Taylor inked his contract.
A trip to the Caribbean gave Taylor the push he'd been wanting for so long. Armed with an acoustic guitar and a mindful of songs, Taylor shaped himself into the natural singer/songwriter his parents knew that he would eventually become. The younger Taylor says he used to try hard not to sound like his famous father, with a rough-edge sound he called "neo-psychedelic-folk-funk." But over time, Taylor realized that he was more comfortable following in his parents' musical footsteps. Now, he says, to be compared to them is an "incredible compliment."
ABOUT CLARENCE BUCARO
Over the span of five albums literate and honey-voiced singer-songwriter Clarence Bucaro has crafted an impressive canon of uplifting Americana, garnering comparisons to Jackson Browne and Van Morrison. The Brooklyn-based singer-songwriter initially built his career on a robust 300-shows-per-year schedule. His warm and rustic aesthetic has a broad appeal and has made him compatible sharing stages with such diverse and established artists as Aaron Neville, The Blind Boys of Alabama, Gomez, Chrissie Hynde and the Pretenders, North Mississippi Allstars, Cowboy Junkies and Fountains of Wayne. His initial apprenticeship with singer-songwriter Anders Osborne—best known for penning Tim McGraw’s 3-million selling single “Watch The Wind Blow”—helped him define and refine his own down-home palette. Clarence’s upcoming fifth album is his most ambitious and diverse album to date. The lushly soulful Walls Of The World, released April 3rd 2012 on 20/20 Records, is a thematic piece using walls as metaphor for political and personal division.
Walls Of The World was produced by Hector Castillo (David Bowie, Björk, Lou Reed, Suzanne Vega, Rufus Wainwright, and Philip Glass) and Chocolate Genius. The album benefits from the complimentary approaches of Castillo’s penchant for organic ambience and Chocolate Genius’s knack for nuanced, moody electronic flourishes. The album was mixed by the highly-esteemed engineer Tchad Blake (The Black Keys, Pearl Jam, Sam Phillips, Al Green, Suzanne Vega, among others) who brought out the bold hues in Clarence’s richly textured album. This dual-perspective production is a theme deeply mirrored in the fabric of the album; it appears in the lyrical theme of the two sides of division and the album was written in two spurts, from two perspectives of division. The first batch of tunes are informed as much by literature such as controversial Turkish writer Orhan Pamuk’s Snow and conflict journalist Asne Seierstad’s Angel of Grozny as they are from Clarence’s travel to Jerusalem, Cuba, Morocco, and Russia. The second batch of songs was written after the birth of Clarence’s first child and, broadly, the tunes examine the theme of walls and division from a tender and personal domestic vantage point.
The literature-informed reportage dates back to 2009 when Clarence travelled to Jerusalem and experienced the contrasts between the old-world majesty of Jerusalem and the squalor of the refugee camps of Ramallah and the West Bank—it was powerful how the physicality of a wall could create such division and opposite worlds for people who lived in such close proximity. In the lyrics of the sweetly melancholy “Walls Of The World” Clarence notes the universality in this holy war when he sings: See the same old fighting/the same old hard lines/we're cutting our throats on the same old divides. The struggles seem so personal and political but, in a grand sense, it’s also a class struggle and he wisely notes this, alluding to the Wall Street protests here at home. The haunting arid ambience of “Child Of War” with the chilling twangy guitars and deep-in-the-mix Chocolate Genius loops explore the horror of children who take on messianic suicide missions and find themselves sacrificing their innocence and carefree childhood to be political pawns in such tangled and tragic wars. Clarence chronicles this horror with bluntly poetic lines like What do you see through those eyes?/What do see through those eyes?/Blood for blood, limb for limb/When There’s No Way Out Vengeance Wins/What Do You See Through Those Eyes? The initial inspiration for “Child Of War” was, again, the Israel and Palestine struggle but the song also has kernels of inspiration from Asne Seierstad’s story of a Chechnyan orphanage, Angel of Grozny. The elegantly electric-folk tune “Two Men Down” is a tribute to conflict photojournalists Chris Hondros and Tim Hetherington who were killed in Libya in April, 2011 while covering the rebel uprising against Gaddafi’s forces. It’s not only an homage to the two men’s bravery but echoes Clarence’s artistic quest to seek the truth in his songs.
“The second batch of tunes brought together what it means to me to have a child in the world when you think of the subject of the song: ‘Child Of War,’” Clarence explains. “These songs were written after having my son and my perspective changed as I saw how having a child fits into a conflicted and divided world. So the two perspectives of the album became a marriage of observing the outside world with how it ties in to my personal own world.” Conflict and division in this clutch of tunes extends from the daily struggles of marriage in “Are We Gonna Make It Through The Night” to “Dangerous Secret,” a tune that details a woman’s struggle with gender-identity issues. “That song is based on a personal letter from a friend telling me about her struggles and fears of acceptance among family and friends with thoughts about transitioning. I took the letter with me on a trip to France and began writing the song there and finished with Freedy Johnston in Brooklyn,” Clarence says. Tracks such as “Same Small Threads” and “It’s Only Love,” written from the joyous and fulfilled feeling of a new parent, round out the album and provide a grounding counterpoint to the weighty issues discussed throughout Walls Of The World.
Born in Cleveland, Ohio Clarence left his hometown for New Orleans to follow
his mentor, the Crescent City music icon Anders Osborne. From New Orleans he moved to LA before settling in Brooklyn. The stories in these journeys and Clarence’s passion for travel are documented from early critically acclaimed albums like his Anders Osborne-produced debut Sweet Corn and his Rounder Records sophomore album Sense Of Light to Clarence’s latest, Walls Of The World. This musical journey has sought to capture the human condition in the folk-storytelling heritage with a panoramic view of humanity. “I’ve always dove into the outside world for inspiration; social observation has always inspired me,” Clarence explains, “possibly encouraged by the punk music I used to love in the 1990s. I was inspired by the social commentary and conviction of a band like Bad Religion. In college I became interested in social movements and learned that music is as potent a weapon as any to speak to struggle and incite passion.” Studying the Civil Rights and Labor Movements led Clarence to the music of Woody Guthrie. He found the message in Guthrie’s music resonated with him the way punk first did in his formative years but the purity of the folk sound appealed to his maturing sensibilities and became an aesthetic touchstone for his own music. The growth in Clarence as a writer on Walls Of The World is not only in how sensitive of an observational writer he’s become—like on “Rose Of Jericho” where from seeing a woman on the subway in full burka he imagines her journey from her homeland to NYC—but also manifests itself in how he can turn the lens on himself and examine his condition with a mature level of objectivity. Walls Of The World is an interpersonal and personal travelogue scored by an ambient and soulful production aesthetic bittersweet enough to evoke the dissonance in the human struggle but warm enough for the music to fill you with hope.
at City Winery
155 Varick Street
New York, United States
Bluegrass on the Plains
Event on 2012-05-25 11:00:00
May 25 – 26, 2012
Please join us for the 1st Annual Bluegrass on the Plains with some of the top talents in bluegrass music. Performances by: RHONDA VINCENT & THE RAGE, BLUE MOON RISING, CUMBERLAND RIVER, LITTLE ROY & LIZZY LONG SHOW, RODNEY DILLARD & THE DILLARD BAND, CARL JACKSON, JERRY SALLEY, LARRY CORDLE, VOLUME FIVE.
Jam Sessions, Workshops
at University Station RV Resort
3076 Alabama State Hwy 14
Auburn, United States
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Qa Which University Is Better
Question by : Which University is better overrall? Jacksonville State University(Alabama) or The University of New Orleans?
In terms of Education,Safety, Entertainment,How good is the city itself?
Best answer:
Answer by paulfriedman7
Check them out using my web site
https://sites.google.com/site/paul7collegeinfo/
Google the words “student reviews” and (separately) the name of each school.
Give your answer to this question below!
Substitute Teaching
How To Be A Successful Substitute Teacher.
Substitute Teaching
Low Back Solution
Discover The Secrets To Addressing The Source Of Your Low Back Pain, Rather Than Just The Pain Site. Complete With More Than 8 Hours Of Therapeutic Exercise Videos And An Instructional Manual To Help You Apply These Principles For A Lifetime.
Low Back Solution
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University Of Alabama Cheerleading Nationals
The UA Cheerleaders performed for Friends and Family before they went to Orlando to compete for a National Championship
A transfer student goes into great detail about the academics, off campus apartments, and varied groups available.
Video Rating: 4 / 5
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Claims Examiner Wc
Position title: Claims Examiner – WC
City: Knoxville
State/Province: Tennessee
Position category: Full-time
Description:
Claims Examiner
Workers Compensation
CLAIM YOUR FUTURE AS A GREAT PERFORMER!
Providing both satisfying and challenging work along with a highly professional and friendly work atmosphere, Sedgwick has a strong commitment to its colleagues and its clients. If you are seeking place where you can do great things for those whose lives you touch while maximizing your own career possibilities, Sedgwick is the place for you. As the largest and most innovative 3rd Party Administrator in the claims industry and the 1st and only TPA to receive both recognition as theBest TPA in Americaand the covetedEmployer of Choicedesignation, we invite you to come be a part of our team and, Claim Your Future.
Price:
Location
Knoxville, USA
The Dance Club (New Location) & other Ballroom Lessons & Dances NO NEED TO RSVP
Dancers,
Tonight should be a great night for dancing at Skate Odyssey, now known as
Aldersgate on the Parkway. As those of you who have come the last 2 weeks already know, conditions at the rink are vastly improved. We hope that you will join us to dance the night away. Tonight the concession stand should be open.
The box office opens at 7:00, and the lesson commences at 7:30. Don Worrell will be teaching intermediate waltz, while Pete Slater will be teaching basic waltz. Regular dancing to the very best recorded ballroom dance music will begin at 8:15 and continue until 10:15. Admission will be .00 for adults and .00 for students.
For more info please check our web siteat
http://dancehsv.home.mindspring.com
or call [masked].
Price: Free
Location
35806 Huntsville, USA
RoomMates RMK1099SCS University of Alabama Peel & Stick Wall DecalsAlabama Crimson Tide Wall Stickers You get four sheets of appliques equaling 22 total. You Crimson Tide fans will love these! Just…
NCAA Alabama Crimson Tide Poly-Suede Steering Wheel CoverPoly-suede material for comfortable grip. Slips on easily. Printed with your favorite team’s logo…
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Asbestos And Immunohistochemical Diagnosis
Asbestos And Immunohistochemical Diagnosis Of Mesothelioma
One interesting study is called, The role of immunohistochemistry in the diagnosis of malignant mesothelioma. By Moran CA, Wick MR, Suster S. Department of Pathology, The University of Alabama at Birmingham, 35294, USA. Semin Diagn Pathol. 2000 Aug;17(3):178-83. Here is an excerpt: Abstract – The immunohistochemical diagnosis of mesothelioma is perhaps one of the most perplexing and controversial issues in surgical pathology. A tumor that in essence is extremely rare has managed to captivate the attention not only of pulmonologists and thoracic surgeons but also of pathologists. Throughout its history, mesothelioma has emerged as one of the tumors that has evaded definitive characterization; hence, the numerous attempts at trying to establish not only histological criteria but also histochemical, immunohistochemical, and ultrastructural guidelines for its diagnosis. Perhaps as we enter an era of more sophisticated technology, molecular biology will have an opportunity to make inroads into the diagnosis and characterization of this peculiar neoplasm. Despite the many difficulties involved in the diagnosis of malignant mesothelioma, we have recently gained significant knowledge of this entity in many respects, several decades after its description. From a morphological point of view, several variations of the histological appearances that these tumors may exhibit have been described. Traditional histochemistry and electron microscopy continue to play an important role in the evaluation of these neoplasms, with ultrastructural analysis in particular representing the most reliable technique for making this diagnosis in equivocal cases. However, because of its speed, cost-effectiveness, and general availability, immunohistochemistry has emerged as the most commonly used procedure for the diagnosis of mesotheliomas. We herein present a review of the current status of immunohistochemical evaluation of malignant lesions that are suspected of having a mesothelial lineage.
Another interesting study is called, Surgical Management of Malignant Mesothelioma – The Annals of Thoracic Surgery Volume 26, Issue 4, October 1978, Pages 375-382 by iacomo A. DeLaria M.D., Robert Jensik M.D., L. Penfield Faber M.D. and C. Frederick Kittle M.D. – a Department of Cardiovascular-Thoracic Surgery, Rush Cancer Center, Rush-Presbyterian-St. Luke’s Medical Center, Chicago, IL. Here is an excerpt: Abstract – The surgical management of 18 patients diagnosed as having malignant mesothelioma is reviewed. Of these patients, 7 received limited treatmentpleurectomy or biopsy. The mean survival was 10 months, and no patient was disease-free at time of death. The other 11 patients were treated by radical extrapleural pneumonectomy. There were 2 long-term, disease-free survivors at 2 and 4 years. Mean survival for the entire group was 15 months, but most patients received good palliation following tumor removal.
Surgical procedures for removal of malignant mesothelioma can be accomplished safely and without major morbidity. When possible, radical extrapleural pneumonectomy affords the best palliation and the only opportunity for cure.
Another study is called, Operation and intracavitary photodynamic therapy for malignant pleural mesothelioma: A phase II study – The Annals of Thoracic Surgery Volume 58, Issue 4, October 1994, Pages 995-998 by Hiroshi Takita MD, Thomas S. Mang PhD, Gregory M. Loewen MD, Joseph G. Antkowiak MD, Derek Raghavan MD, PhD, James R. Grajek MBA and Thomas J. Dougherty PhD. Here is an excerpt: Abstract – From April 1991 to May 1993,23 patients entered a phase II clinical study of surgical resection and adjuvant intracavitary photodynamic therapy for malignant pleural mesothelioma. Two days preoperatively, patients received an intravenous injection of 2 mg/kg of the photosensitizer Photofrin. Six patients underwent a pleuropneumonectomy, and 15 patients a pleurectomy, after which intracavitary photodynamic therapy was administered. A total light energy dose of 20 to 25 J/cm2 was given. In 2 patients the tumor was unresectable due to intrapericardial invasion. Postoperative complications were noted in more than 50 percent of patients; 2 patients died of postoperative complications. Postoperative survival was analyzed according to intraoperative staging proposed by the American Joint Committee for Cancer Staging, published in 1992. The overall estimated median survival is 12 months; that of stage III and IV patients is 7 months. Five patients with stage I and II diseases (who had grossly complete resection by pleurectomy) are alive, disease-free, for 11, 17, 18, 21, and 33 postoperative months. Intraoperative staging is important in carrying out further clinical studies of malignant pleural mesothelioma.
Monty Wrobleski is the author of this article. For more information please click on the following links
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